His tools are digital, but his art is often physical: objects and sculptures...all meant to bridge the digital and the real. He takes shiny surfaces, like corporate logos, clickbait headlines, glossy symbols, and turns them into visual traps: the kind that pull you in with style, then challenge you to think twice.

“Why do we worship brands?”

“What’s real and what’s just performance?”

“Can critique still exist in a world where everything is for sale?”

Musketon has collaborated with major brands and independent spaces alike. He doesn’t hide the contradiction of working with the same visual systems he questions. He uses it as part of the message. That friction is part of the work.

Whether he’s designing a fake credit card that says ‘Bankrupt’, a soldier holding a selfie stick, or a fake news headline that’s almost believable. He invites you to stop scrolling, look closer...and laugh while it stings.